ThisveryKafka-esquefilmisKeaton’sresponsetotheFattyArbucklescandal.[citationneeded]Eventhoughthecentralcharacter’sintentionsaregood,hecannotwin,nomatterhowinventivelyhetries.Hegetsintovariousscrapswithpoliceofficersthroughoutthefilm.Eventually,heunwittinglythrowsabombintoapoliceparadeandendsupbeingcThisveryKafka-esquefilmisKeaton’sresponsetotheFattyArbucklescandal.[citationneeded]Eventhoughthecentralcharacter’sintentionsaregood,hecannotwin,nomatterhowinventivelyhetries.Hegetsintovariousscrapswithpoliceofficersthroughoutthefilm.Eventually,heunwittinglythrowsabombintoapoliceparadeandendsupbeingchasedbyahordeofcops.Attheendofthefilm,Keaton’scharacterlocksupthecopsinthepolicestation.However,thegirlheistryingtowoodisapprovesofhisbehaviorandgiveshimthecoldshoulder.Therefore,heunlocksthepolicestationandisimmediatelypulledinbythecops.Thefilmendswiththetitle"TheEnd"writtenonatombstonewithKeaton’sporkpiehatproppedonit.OneofKeaton’smosticonicandbrilliantly-constructedshortfilms,Copswasdeemed"culturally,historically,oraestheticallysignificant"bytheUnitedStatesLibraryofCongressandselectedforpreservationintheirNationalFilmRegistryin1997.
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